It’s the festival of Beards, Bands and DJs, and that just about sums it up. Now in its sixth year, Bearded Theory is set in picturesque Kedleston Hall, Derbyshire. With something like around 8,000 revellers it’s a nice size, and manages to feel like one big party.

shotsBearded Theory’s line-up leans towards punk, ska and folk while the Magical Sounds Dance Tent is heavy on the psytrance and psybeats. And there’s plenty of local-ish talent featured. Entering the arena, we get ourselves into party mood with some dancing to Sheffield’s breakbeat DJ, Kickflip. Magical Sounds is a great little dancing spot – the visuals, the giant puppets wandering around and dancing with you, and the fantastic hairy guy with angel wings dancing on stage.

wingmanLater on, just for old times’ sake, we head over to the main stage for New Model Army where I imagined I’ll be having a bit of a nostalgia fest. I had neglected to keep my finger on the pulse with NMA, and it’s great to discover that they are still experimenting, still working on new material, and they they sound fresh and vibrant. It helps that there’s an excellent sound system at the main stage. Especially rocking are No Rest and High with Sullivan’s voice sounding extra growly. NMA have a new album, and a tour, heading our way soon. We look for the Fire Show but never find it so head back to Magical Sounds for Sicknote’s entertaining and energetic set. The younger members of our party inform me next day that Subgiant was the best thing of the day but at 12.30-2am it’s way past my bedtime.

On day two it’s freezing cold but no luckily no rain. There’s plenty for kids to do in the Angel Gardens area, which is busy with kids drawing, painting and having races. The tiny tots are being pulled around the arena in cute little carts. There’s a funfair area in the centre with a stunning Helter Skelter and Big Wheel, both at only £1.50 a go. On the Main Stage, it’s the turn of rising folksters Ahab. Despite being bundled up in coats, they deliver a rocking set, just as good or if not better than when I saw them at King’s Place, click here.

I’m looking forward most of all to Seth Lakeman‘s set, and he predictably draws a huge crowd to the main stage. He plays a mix of old numbers and ones from his new album Tales from the Barrel House. Watching him sing and play the fiddle is extraordinary, as is his versatility as he moves from one instrument to another. The only downside of his set is that’s it is too short, it’s not the hour long we were expecting, and it leaves everyone a bit in limbo.

Seth Lakeman

A while later Asian Dub Foundation entertain the crowds with a powerful and muscular set which gets better and better as the band and the audience warm up, and as its hypnotic rhythms draw you in.

Sunday is hot and sunny and helps create a fabulous mood for the final day. This year’s fancy dress theme is Australia, and this combined with the beards competition adds up to some bizarre and wonderful creations – there are even beards made out of corks and flip flops. An amusing set from the Lancashire Hotpots sets the right tone, and their Ikea song has a particular resonance: “I fear Ikea, I don’t want to go there again, I don’t want a bookcase called Billy, Or a table called Sven.”

Fancy Dress Bearded Theory

Bird beard

A folk-fest awaits as Celtic fusion band Shooglenifty set the scene, followed by the mighty Peatbog Faeries. Worthy of a main stage appearance, they are shoehorned into the Magical Sounds tent, but no matter.

Peatbog FaeriesIt’s a blinder of a set, uplifting and passionate, and everyone is going crazy. Later on The Levellers close the main stage with a fittingly rousing set played to an huge and appreciative audience. Over at the dance tent it’s time for the closing DJ set, Magiclantern, with Leeds DJ Stephen Mckeown. The hairy fairy is there, twirling an octopus umbrella, and as music comes to an end, he thanks us for coming to Bearded Theory and tells us it’s all over for another year.

Beers at Bearded Theory

Bar  A great selection of beers, including a Festival Special Ale which is light, refreshing and similar to a wheat beer. Also a Reverend & The Makers special beer. Nice selection of ciders, including a guest one each day. Prices £3.50 a pint average. Knowledgeable and friendly bar staff, very little queueing.
Loos  Portaloos generally very clean, with toilet rolls put out even on the  Monday morning. Perhaps there could have been a few portaloos down at the far end of the camping field. Hardly any queueing.
Security  Very friendly at all times, bearded or otherwise.
Age range  A really great mix, from babies to people in their 60s and perhaps older. Some teens but not overwhelmingly so.
Stages  Main Stage, Magical Sounds Dance Tent, Tornado Town and Lock Inn.
Food  A smallish but adequate range of food stalls. Ghandi’s flip-flop vegetarian food, their Thali at £7.50 well recommended.
Negatives?  Although the site was well maintained, it would have been nice if we could have been a bit more ‘eco’ with our rubbish and sorted it for recycling.

Overall, Bearded Theory is a fantastic festival, it’s friendly, unpretentious and gets the balance of good music and fun just right. Everyone appeared to be enjoying it. Our own party from 22-50s enjoyed it all equally. 

Bearded Theory tickets: adult £79 plus charges.

Here’s some of my top festival recommends for 2013 and at the time of writing, they still have tickets available. These are all small to medium-sized gatherings (no hour-long trudges to the arena).
They all have plenty of well thought-out activities for children and a fairly broad age range of attendance, so whether you are going as a family, a couple, a group of older people or solo – you’ll find lots to keep you occupied, musically and otherwise.

  • Bearded Theory – Kedleston Hall, Derby.   May 17 to 19. 

Here’s a good one to kick off the season. This folky gathering takes place in the gardens of Kedleston Hall and it’s known to have a super-friendly vibe. On the lineup are the Peatbog Faeries, Asian Dub Foundation, Levellers and Ahab. The children’s village now takes up an acre of space so there’s plenty on offer including Angel Gardens bedtime stories by the campfire. I’m looking forward to it (the music that is, rather than the bedtime stories).

www.beardedtheory.co.uk

  • Meadowlands – Glynde Place, East Sussex  May 24 to 26.

Lamb Crowd

On the South Downs, with four stages and a new club tent. The amazing British Sea Power plus The Herbaliser and Public Service Broadcasting are headlining. Childrens’ activities include Brighton-based Workshops for the Imagination and Trickswap Circus. Saturday night’s theme calls all Dreamers, Fiends and Fantasists to the Victorian Travelling Circus.

meadowlandsfestival.com

  • Kendal Calling – Lowther Deer Park, Lake District.   July 26 to 28.

The Mispers

Situated in the beautiful Lake District is Kendal Calling. This year’s theme is ‘The Movies’, so fancy dress day is a perfect chance for you to come as a cast member from your fave film. In fact the whole festival will be a celebration of film. Artists across eight stages include Public Enemy, Basement Jaxx, Charlatans, Dub Pistols, and Lakeland’s own, British Sea Power. DON”T MISS: Dutch Uncles, and check out the locally produced real ale.

http://www.kendalcalling.co.uk

  • Lounge on the Farm – Canterbury, Kent  July 26 to 28.

Too far from the Lakes? Lounge on the Farm is a bucolic wonderland in Kent, with a  focus on food, so head along to Kitchen Theatre for acclaimed chefs cooking up some great recipes, plus local produce and other foodie magic.

Eliza and the Bear

Eliza and the Bear

That doesn’t mean the music’s been sidelined, check out Seasick Steve, Jessie Ware and Soul II Soul, with Caron Wheeler flying in from the States especially for the occasion. DON’T MISS Simon Felice ex Felice Brothers solo performance. There’s also a theatre stage, a Victorian funfair and plenty to keep kids occupied.

http://www.loungeonthefarm.co.uk

  • Beautiful Days – Escot Park, Devon. August 16 to 18.

The Levellers own fest gathers fans year on year. Not so folky Primal Scream headline, and also appearing are Ocean Colour Scene, Roy Harper, Clannad and The Staves. It’s a very strong lineup. This fest sold out in record time last year, so don’t delay if it floats your boat.

http://www.beautifuldays.org

  • Towersey Village Festival, Oxfordshire. August 22 to 26.

A long-running event that is incredibly popular with local families.There is always an amazing lineup of fantastic folk acts, and a selection of ceilidh classes throughout the day. The Unthanks, Home Service, Orkestra Del Sol and ever-popular Spooky Men’s Chorale are on this year. Kids can bring instruments along for the Towzer! Workshop Band.

Towersey Village Festivalhttp://www.towerseyfestival.com

  • Festival No 6, Portmeirion, Wales. September 13 to 16.

Festival No 6

I’m generally not a fan of ‘posh-fests’ but Portmeirion Italianate village couldn’t really host anything else, and Festival No 6 it’s a fabulous way to finish the festival season. James Black, Mount Kimbie, I am Kloot, Laura Mvula, Daughter, Manics, Tricky all star. DJs incude Gilles Peterson, and the Arts and Culture arena features musings from Caitlin Moran and Paul Morley amongst others. Sip bubbly from the pop-up champagne and oyster bar, and taste some local delicacies from the Welsh kitchen.

http://www.festivalnumber6.com

fest no 6 moran

Orlando SealeOf all the train stations in London to find yourself in with time to spare, St Pancras is the most pleasant. A few shops, wine bars, artisan type food outlets, and occasional announcements in French.

There’s even more going on at the moment as the station is hosting its annual Stations Sessions Festival, which continues till May 9th. Each evening the concourse showcases two bands between 5.30pm to 6.30pm, perfect timing if you’re on your way home or going out nearby.

Orlando Seale Orlando Seale and the SwellI found myself at St Pancras on Thursday and enjoyed listening to a fabulous band called Orlando Seale and the Swell. On vocals and guitar is Orlando Seale, who as an actor has appeared in productions such as Pride and Prejudice and Sleepy Hollow but a perusal of his filmography will reveal the full extent of his work. The band is in effect a mini orchestra who are a fluid collective of musicians, and they worked their way through a set of – well I would call them folk-inspired numbers but the band describe themselves as “alternative, orchestral indie, punk folk.” The violin and flute in particular give the songs a richness and depth. Their sound is good-humoured, upbeat and joyful; and this taster made me want to see them again.

Orlando Seale and the Swell will be appearing at King’s Place, as part of the Folk Union gigs, May 10. (KIng’s Place is five minutes from St Pancras). Tickets are £12.50.

http://www.kingsplace.co.uk/whats-on-book-tickets/folk-union

https://www.facebook.com/orlandosealeandtheswell

orlando heart

Rather than simply give a performance of her songs, Phildel used her surroundings of St Pancras Old Church to create a mixed media experience – this was an inspired move.

This tiny church has a rich history and amongst those buried in its churchyard are a vampire writer, a composer and a sculptor. It clings to the edge of the glitzy new St Pancras Station, where Eurostars glide into London and cool bars are replacing the arches and alleyways of old King’s Cross.

Most of the audience are seated early as dusk falls in the church, moody music and an abundance of dry ice rack up the gothic quota. As starting time draws near, heads crane round to the church entrance and I wonder if a fashionably late Satanic bride will appear.

Phildel St PancrasThree masked figures appear and walk in slow procession up the aisle, carrying candles, before performing a free-flowing dance – these three white witches are clad in fluid, sculptural dressed by Phildel’s favourite designer Henrietta Ludgate.

Phildel 3 St Pancras

Next to appear are Phildel’s band for the evening: Chris Young on synth, Oliver Lowe on drums, Enrica De Cesare on vocals, Luca Kocsmarszky on violin and vocals and Bryony James, cello and vocals. And, as the opening notes of The Disappearance of the Girl commence, Phildel makes her entrance, a dramatic figure in a black dress, barefoot.

This is definitely a ‘Ladies Night’. The three female musicians echo the dancers in their white dresses and chalky faces, acting as a foil for Phildel’s dark and dramatic stage persona. Chris’s face is whited out, but it’s the females on stage who are the focus.
Phildel sings at St Pancras

The second number is Storm Song. Whatever problems there had been with the sound during rehearsals were certainly ironed out as the sound was well balanced. Usually, when I see a band live, there’s that moment of minor adjustment, as the live, raw voice takes over from the tweaked one I’ve got used to from the recorded version. With Phildel this doesn’t happen: her natural voice is of the same strength and clarity as on her CD, and there’s a warmth that is more pronounced on hearing her live.

Phildel St Pancras

Phildel sings at St Pancras

I particularly like The Wolf with its pulsing beat, and Dare, not previously a song that has stood out for me. In keeping with the theatrical mood, Phildel doesn’t talk much between numbers, but as the evening progresses she appears more relaxed and has a bit of a banter with us. She ends with Switchblade and there’s a tantalising moment where it looks like we’re going to get one more song, but sadly it’s not to be and the evening draws to a close.

The Disappearance of the Girl, St Pancras Old Church, tickets £8.

http://www.phildel.com/

http://www.henriettaludgate.com/HENRIETTA_LUDGATE.html

Hair styling  www.andrewthomascorbett.com -
Make up http://www.naomihealy.co.uk

What a transformation for the flamboyant musician King Charles. Last year I saw him perform in a church in Hackney, where a polite crowd clustered round the stage, supping wine and swaying gently.

King Charles 2013A year on, and he’s headlining at Shepherd’s Bush. Although tickets aren’t sold out (at least not on the day before the gig) the place seems rammed to the rafters with the most excited crowd I’ve seen in a long time. There’s a mixed audience, with some in their 40s and upwards, some couples in their 30s, and groups of adoring teenage girls.

King Charles bounds onto the stage. Gone are the flamboyant frills and the frock coat. That’s not to say he’s changed his image and morphed into Liam Gallagher. He’s just a bit more pared down, with a billowing white shirt, twig legs encased in black tights, and of course, the hair. Swathes of it, up in a sort of matted bird’s nest (that comes undone half way through).

The band powers into the set which is ratcheted up to loud, so the vocals are slightly muffled. Second song is Loveblood, which features KCs much used calypso rhythm, overlaid with lots of sinewy guitar work. Then comes the choral refrain of Love Lust and the audience starts to go wild. Downstairs everyone is dancing joyously, upstairs the heaving balconies are looking perilous.

Ivory Road, Mississippi Isabel…  everyone seems to know all the words of all his songs. It looks like the West London homeboy can do no wrong. Next is the more folky, slightly California soft-rock Coco Chitty, with its wistful chorus:  ’I don’t need to see you to know how beautiful you are’. This for me was a highlight of the gig.

For an encore, King Charles’ choice is his version of We didn’t start the Fire. His own lyrics, updated since Billy Joel’s time, feature Islamists, Tom Cruise being gay, and a line about “Maggie Thatcher laid to rest”, which causes an actual cheer to ripple through the crowd. I’m not sure if its because of amusement of the topicality of the lyrics, or if it’s a cry of support for the just-buried Iron lady, I’m hoping it’s the former. My friend, who dislikes the song, mumbles something about why does he want to send everyone home humming a song written by someone else?

IMG_0417He has the endorsement of Mumford & Son and delivers a strong set of folk-tinged rock, with playful operatic, choral and calypso notes. But there’s something that bothers me about his image – maybe it stops him being taken seriously, maybe it’s too defining. But for now he’s got a growing army of fans and a successful tour under his belt.

 

http://www.kingcharles-music.com/

Album: Loveblood, May 2012

Support: Giovanna; We Were Evergreen

Phildel is more than a singer songwriter, she’s a visually creative artist too. So I was keen to buy the CD of The Disappearance of the Girl and enjoy the artwork. Sometimes I just think, damn those soulless downloads; music without its history.

Phildel The disappearance of the girlFor Phildel, creating this collection of 12 songs and putting them out there was undeniably a cathartic experience, a triumph of the self after a traumatic past. The CD opens with the title track, The Disappearance of the Girl, which refers to the painful decade Phildel spent during her adolescence when music, the passion of her life, was forbidden by her religious stepfather. The song offers jigsaw pieces of her past: the track begins with what sounds like the expressively sad Chinese erhu, conjuring influences from her Hong-Kong roots; then there are the lyrics which speak of betrayal and bitterness “You know he betrays you, as much as he saves you“.

The second track Storm Song gives Phildel the chance to extend her voice to its full range. Again there’s a intro which with its swoops and crescendos are reminiscent of Enya.

Beside You is simply one of the most beautiful songs. The album version is given depth by adding strings and a chorus, but the pared-down live version at Bush Hall worked just as effectively, as its power emanates from her emotive lyrics and piano accompaniment. It’s an intriguing and tortured tale of love that remains in suspense, ‘in my house on the hill, there is room for you still.’

Most menacing and powerful is The Wolf. Again there’s the almost trademark powerful intro, this gives way to an electronic dancey track powered by a driving beat, which befits this dark and menacing tale.

Working my way through the CD it was easy to get lost in the meaning of the lyrics, the artwork, the symbolism, the arrangements. Not surprising, as each track takes you on a journey, of love, mysticism, longing, betrayal. But what had originally drawn me to Phildel was the purity and power of her voice, and so I backed off and just tried to get back to that moment of letting the music wash over me. That’s the beauty of this collection of songs, they can be experienced on many different levels.

The Disappearance of the Girl
Storm Song
Mistakes
Moonsea
Beside You
Union Stone
Afraid of the Dark
The Wolf
Switch Blade
Holes in your Coffin
Dare
Funeral Bell

Decca 2013

I haven’t posted here for a while as I’ve been in Iceland. What an awesome, beautiful, hauntingly strange land, combined with the most chilled and friendly people. My mind is still somewhere in the lava fields but I’m back, physically anyway, in England.

While travelling I learned some interesting stuff from locals about Icelandic music, beyond Björk and Sigur Rós, although I’m a huge fan of the latter. Of Monsters and Men have made that leap and are getting lots of recognition outside their native country. One name which cropped up repeatedly was Ásgeir Trausti – and no wonder – he composes and plays heart-stoppingly beautiful folk songs, see Inspired by Iceland, click here. Ásgeir is touring the US (and no doubt a stint at SXSW will widen his appeal) – I’m just hoping he heads to these shores soon. There is currently an English version being made of his award-winning first album Dyrd i Daugathogn. Which leads me to the question – do you prefer to hear foreign artists sing in their own language or do you like to hear an English version?

Meanwhile Reykjavik band Retro Stefson are appearing at The Lexington in King’s Cross on Monday March 25 with a funky, dancey sound. The support is Hermigervill who are intriguingly described as ‘whimsical electro wizards’. The two often play together: in fact it’s such a small country, everyone seems to know each other somehow, so I barely met anyone who didn’t have some kind of connection to Björk or at least one member of Sigur Rós.

Also congratulations to Phildel, who I had the pleasure of meeting at Bush Hall. She made her TV appearance on BBC1 Breakfast News this morning, with an interview and taster of her video for Storm Song. Another artist who is definitely about to get big recognition for her prodigious talents as a singer, composer and visual artist.

Phildel, Bush Hall

***** Don’t forget Sigur Rós are playing at Jodrell Bank in August. Phildel returns to play at Bush Hall on Wednesday May 15 *****

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